La Femme Nikita season 1 cast
La Femme Nikita season 3 cast
La Femme Nikita season 4 cast
La Femme Nikita, also known as Nikita, is a Canadian action/drama television series based on the 1990 French film Nikita by Luc Besson. The series was co-produced by Jay Firestone of Fireworks Entertainment and Warner Bros. Television. It was adapted for television by Joel Surnow.
The series was first telecast in North America on the USA Network cable channel on January 13, 1997, and ran for five television seasons—until March 2001. The series was also aired in Canada on the over-the-air CTV Television Network. La Femme Nikita was the highest-rated drama on American basic cable during its first two seasons. It was also distributed internationally, and it continues to have a strong cult following.
Plot[]
Section One, a clandestine anti-terrorist organization, fakes the death of a jailed, convicted murderer named Nikita and, believing her twin assets of beauty and ability to kill will make her a valuable new operative, trains her in the fighting skills necessary to succeed in her new job. The new operative, code-named "Joséphine", proves to be somewhat less ruthless than planned however, as she had been falsely convicted and never murdered anyone. Now, Nikita must learn to survive in a world that is in direct conflict to her true nature.
Episodes[]
The series ran for five seasons and had a total of 96 episodes.
| Season | Episodes | Originally aired (U.S. dates) | |
|---|---|---|---|
| Season premiere | Season finale | ||
| 1 | 22 | January 13, 1997 | October 5, 1997 |
| 2 | 22 | January 4, 1998 | August 30, 1998 |
| 3 | 22 | January 4, 1999 | August 29, 1999 |
| 4 | 22 | January 9, 2000 | August 27, 2000 |
| 5 | 8 | January 7, 2001 | March 11, 2001 |
Style and presentation[]
Despite being advertised as an action-oriented series, the series' uniqueness primarily stems from its de-emphasis on action as such and greater reliance on well-crafted dialogue and complex plot structures more common to the genre of sophisticated spy-fi as influenced by film noir and neo-noir. Since its inception, the series did not have a large enough budget to finance complex action sequences (as seen in later dramatic spy fiction or spy thriller television series such as Alias or 24). The creative team focused on writing episodes with more complex plot structures, fuller character development, and more substantial dialogue for the series' actors (all of which aspects are less costly than filming special effects in action sequences).
The autonomous nature of Section One allowed the writers of this series freedom to explore areas not usually associated with this genre on television. Nikita's voice-over in the first season establishes the Machiavellian motif of Section One. While founded as a counterterrorism organization (traditionally represented within fiction as good), Section One uses (as a standard) immoral means to achieve its objectives, while still citing efficiency, that the ends justify the means, and the service of the greater good as justification for its actions. Its standardized implementation of draconian measures includes the use (upon both terrorists and innocents) of intimidation, torture ("The White Room"), murder ("cancellation"), assassination, abduction, suicide operatives ("abeyance" operatives), false imprisonment, and terrorist co-operation. For example, in one early episode Section One hands a woman over to a sadist in exchange for crucial information, knowing she will be carved up.
Unlike most organizations engaged in counterterrorism, Section One's key personnel work neither for monetary gain nor for "pure" ideological devotion; instead, since most of these operatives are purportedly reformed criminals (though their backgrounds are often ambiguous), they work out of fear of execution for substandard performance or disloyalty (fear of being "cancelled"). Such a dynamic based on fear fosters a bleak social environment in which there is little interaction among members, except regarding issues relating to work. This rather paranoid environment, combined with the futuristic hyper-realist setting of the organization, the brutal nature of counterterrorism, and Section One's particular mantra of efficiency, results in a dark, minimalist ethos reflected or expressed in all aspects of the television series. Most particularly, this is present in its design of costumes and selection and original composition of music, as well as in aspects of dialogue, plot, themes, lighting, and acting modes and camera styles. Also notable are intriguing camera angles and frequent close-ups on actors' facial expressions, focusing especially, during pauses in dialogue or in reaction shots, on their eyes in long takes.
Owing to the harshness (both mental and physical) of the environment in which operatives have to perform, the writing tends not to romanticize any potentially positive aspects of the organization or of most of the series' characters (excluding Nikita, Birkoff or Walter, and, at times, Michael at his most vulnerable). The series generally exudes a dark tone in keeping with the organizational philosophies, the counterterrorist (frequently dangerously violent) situations, and the requisite tactics used by operatives of Section One. Unlimited operational resources for missions, coupled with human propensity to hide ulterior motives and individual personal moral relativism, lead to widespread intra- and interdepartmental infighting and recurrent secret alliances, backstabbing, blackmail and abuses of power between and among the characters, especially among those in the highest levels of power: Operations, Madeline, and George.
The series explored insights about moral issues emerging from the paradoxical nature of a counterterrorism organization which resorts to terrorist methods to succeed in its own ostensibly altruistic goals, and the attendant dilemmas in which the generally unwilling operatives in such an organization find themselves. Nikita's unwavering belief in a kind of moral absolutism (as opposed to Section One's prescribed philosophy of situational ethics) consistently and coherently motivates the underlying dramatic plot conflicts in the majority of the episodes.
Characters[]
Nikita (Peta Wilson)[]
- Seasons 1–5
Peta Wilson as Nikita
Falsely accused of killing a police officer, Nikita is sentenced to life in prison. Soon afterward, she is recruited into Section One when the organization fakes her suicide. As the only truly innocent recruit into Section, her compassion and sympathy constantly conflicts with the often ruthless orders she is given. After spending two years being trained by Michael, Nikita learns to use her beauty as a weapon and becomes an expert in martial arts and ordnance. Initially reluctant to kill (she uses creative measures to avoid having to commit a murder during her first mission), she eventually becomes more efficient at doing so. As field operative Level 2, she is used in a wide variety of capacities, from "valentine operative" to assassin, despite her moral qualms, but manages to hold on to her humanity while working for the organization. Eventually, she and Michael become romantically involved, a development that threatens not only their standing in Section One, but their very lives. Their relationship is seen as a threat by Operations and Madeline, and they use a mind-altering method on Nikita to rid her of all emotions and attachments. Michael manages to reverse the process, but Nikita's personality retains some of the more professional and detached aspects of her recent trauma. Her distain for Section One and its methods make her a prime candidate for recruitment by Center, the organization that oversees all of the Sections. Nikita is tasked with covertly evaluating all Section One staff and their deviations from established protocol. For a job well done, Nikita works more directly with Center and is allowed to implement changes to Section One that makes the organization more tolerable for its operatives. Now with greater authority, Nikita discovers the real reason for her recruitment into Section — her absent father is Mr Jones, the shadowy head of Center. His plan involves Nikita acquiring the necessary skills during her tenure at Section so that she can one day take over as head of Section One and eventually Center. In the series finale, he sacrifices himself to achieve these goals.
Michael Samuelle (Roy Dupuis)[]
- Main cast: Seasons 1–4
- Special guest star: Season 5
Roy Dupuis as Michael
Blank-faced, often emotionless and coldly efficient, Michael Samuelle is a former radical student activist whose protest group at the University of Paris sparked the Paris Riots of 1984. The group's activities involved the use of bombs and after lives were lost due to their actions, Michael was apprehended. Not long after being sent to prison, he is recruited into Section One. He graduates the two year training period nine months early and is immediately promoted to Level 3 status. Michael becomes one of Section's most successful and respected operatives. A few years later, however, the apparent death of his wife, Simone—a fellow Section operative whom he married against the wishes of Operations and Madeline, affects him greatly. He completely shuts down emotionally, becoming almost an automaton. It is not until Nikita enters the organization and Michael is assigned to train and mentor her that he begins to engage more with others. Simone is revealed to still be alive early in the first season. Despite a brief but emotion reunion with Michael, she sacrifices her life to exact revenge on her abductor for her years of imprisonment and torture. This time Michael has Nikita's support and offer of friendship to give him emotional stability. Complicating their often difficult relationship is Michael's highly classified "blood cover" marriage to Elena Vacek, the daughter of a fearsome terrorist that Section One has pursued for decades. His son, Adam, is a product of that union. The conclusion of the mission and his separation from his son drastically affects Michael, to the point that Operations threatens cancellation if his performance continues to deteriorate. A relationship with Nikita materializes in the months afterwards, as Michael adapts to a life without his mission family. After more than ten years in Section, Michael is a Level 5 field operative and team leader with substantial tactical oversight. He is the leading candidate to succeed Operations as the head of Section One. He is extremely disciplined and accurate with firearms, almost never missing a shot. Upon Nikita's evaluation of Section personnel for Center, Michael corrects Nikita's complimentary assessment of his time in Section. He admits to repeatedly betraying Section to put her well-being ahead of everything else. His admission gives Nikita no other recourse other than to recommend cancellation. Michael accepts an Abeyance mission which Nikita covertly interrupts. With the mission a success, Michael is assumed killed in action and Nikita gives Michael a window to claim freedom from Section One. He asks that Nikita join him but she refuses, coldly informing him that she never loved him. Michael disappears into the forest alone. He emerges months later as a source for the terrorist group the Collective that has made significant strides in crippling Section One's efforts to contain them. Michael makes Nikita's safety a condition of his continued cooperation. Michael reveals himself to Section and offers information about the Collective in exchange for Adam's present location. Short lived plans between Nikita and Michael to leave Section together and retrieve Adam are destroyed with the Collective gets to Adam first and hold him hostage. Nikita's father, Mr. Jones, offers to trade himself for Adam if Nikita agrees to take over Section One. She agrees. Michael departs with Adam for parts unknown but promises Nikita that he'll return to her once Adam no longer needs him.
Operations (Eugene Robert Glazer)[]
- Seasons 1–5
Eugene Robert Glazer as Operations
Level 9, head of Section One. Accountable only to Oversight. A Vietnam veteran, former Lieutenant Paul L. Wolfe was recruited into Section One against his will just before the fall of Saigon. A shrewd and driven man, Operations eventually topples the founder and head of Section One, Adrian, seizing control of the organization himself. While giving lip service to the aims of Section—the eradication of terrorists and the protection of the innocent—Operations uses Section One as his own power base, gaining considerable control over dictators in many regions of the globe. This lust for power brings him into direct conflict with George, head of Oversight, who on many levels despises him, and even Adrian returns from her forced retirement to mount an unsuccessful coup attempt against Operations. He is also distrustful of Nikita, and even attempts to kill her on a number of occasions, but is grudgingly forced to accept her success at completing Section missions. (The same is also true of Operations' relationship to Michael, when he discovers Michael's romantic involvement with Nikita.) Operations and Madeline make for an effective partnership, though it includes a brief romance that sometimes causes complications.
Operations dies attempting to rescue Michael's son, who has been kidnapped by the Collective. Operations is then replaced by Nikita.
Madeline (Alberta Watson)[]
- Main cast: Seasons 1–4
- Special guest star: Season 5
Alberta Watson as Madeline
Madeline is the Level 9 executive strategist, second-in-command, chief tactician, and psychologist for Section One. She is Operations' closest ally and confidante. The ultimate personification of Section One's ideals, she is cold and efficient in the execution of her duties, which often involve using torture to extract information from captured terrorist subjects. A master manipulator, she knows the psyche of each Section operative inside and out, and can push the right buttons to get what she wants from each one each time. This brings her into constant conflict with Nikita, whose independent spirit she grudgingly admires, but overall, views as a threat to her control within the organization. Madeline's "Type One Directive" against Michael's and Nikita's romantic partnership kicked off a chain of events that even Madeline was unable to predict, events that eventually forced her to make choices that had major repercussions on the future of Section One.
However she also knows the limits of the operatives. In one episode Nikita was ordered to cancel an operative and she couldn't do it. She tried and faltered, but Madeline came into the scenes and told Nikita that was enough took the gun from her hand, told her that she could not do her job. Nikita left to the sound of a gun shot as Madeline carried out the "cancellation".
Seymour Birkoff/Jason Crawford (Matthew Ferguson)[]
- Main cast: Seasons 1–4
- Special guest star: Season 5
Matthew Ferguson as Birkoff
Level 4, head of Comm. Seymour Birkoff is Section One's resident genius, his computer abilities are legendary, he supervises Section missions in progress. He and Walter are close friends despite their wide difference in age, and Nikita sees him like a younger brother. Many years later, Birkoff learns he was one of two twin boys born to a Section operative. The boys became the subject of a Section One psychological comparison, in which Birkoff was kept within Section One, while his brother Jason was adopted by the Crawford family outside the organization. This was due to a fateful flip of the coin by Walter, and when Birkoff discovers this, it permanently strains their relationship. Birkoff's new obsession with leaving Section One leads to the creation of an artificial intelligence program to take his place, in order to create more downtime. Unfortunately, the AI becomes self-aware, and Birkoff sacrifices himself in order to stop it. Quinn replaces him as the head of Comm. His brother Jason is later recruited by Section One, upgraded to level 1 and sent to Center.
Walter (Don Francks)[]
- Seasons 1–5
Don Francks as Walter
Level 7, head of Munitions. Walter is the oldest operative in Section One. He is responsible for creating new and necessary gadgets, tools, and weapons for use on Section One operatives' various missions. While he was sexually attracted to Nikita upon her arrival at Section One, Walter becomes her loyal friend and confidante, even participating in a cover-up to hide the ongoing romantic status of Nikita and Michael. Walter's nickname for Nikita, "Sugar", and his bandana were details added by the actor himself.[1] Walter's brief marriage to, and loss of, Belinda, an "abeyance operative" (one who is scheduled to be eliminated or "cancelled" by Section One) -- is ample motivation for his willingness to do anything for revenge for what Walter perceives as Operations' cruelty. However, Operations continues to spare Walter's life, likely because of a long-standing relationship that began in Vietnam and may have included a period where Walter was Operations' Section trainer, though this is informed speculation. In the series finale, after Operations' death, Walter reveals to Quinn that he once saved Operations' life. Operations did not thank him, but also did not cancel him, even though he had many reasons to do so over the years. Walter states: "I guess in the end, we both came out about even".
Quinn (Cindy Dolenc)[]
- Recurring: Season 4
- Main cast: Season 5
Katherine "Kate" Quinn is Seymour Birkoff's replacement as head of Comm, and is markedly different from her predecessor. Arrogant, sharp-tongued and distrustful of all men, she nevertheless is unflappable in the face of danger and capable of manipulating her superiors when necessary. Forced to work alongside the newly recruited Jason Crawford, she shares a number of humorous exchanges when she becomes the focus of his romantic interests. However, her sights are set on Operations, and she apparently seeks to replace Madeline as the woman at his side in charge of Section One. She is later revealed to be working for Mr. Jones.
Cast[]
Main Cast[] |
Recurring Guests[]
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Crew[]
Writers[]
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Directors[]
Producers[] |
Title Sequence[]
- Main article: La Femme Nikita title sequence
Each episode of La Femme Nikita features a title sequence, presenting each show's cast members, consisting of clips from the show itself.
Music[]
- Main article: La Femme Nikita theme
- Main article: Music
The theme to La Femme Nikita was composed by Mark Snow. It was used over the opening title sequence.
The series composer was Sean Callery and music supervisor Blaine Johnson selected and secured the rights for licensed music used on the series.
Development[]
La Femme Nikita took several years before it made it from concept to filming. One of the earliest references to it in the Hollywood trade magazines was during the summer of 1995 at the semiannual Television Critics Association press tour, "Also in development is a series based on the film “La Femme Nikita.” In the series, produced by Gaumont Television, Nikita will be a target, rather than an assassin."[2]
During the development stage, there were several pilot script attempts. The first being one by Lydia Woodward who produced the Emmy award winning China Beach and then went on to be a writer and Executive Producer on ER. The pilot script was rejected for being too similar to the film--the story of a female assassin who knowingly made her first kill. Those shepherding the project were adamant on having a female head writer but their next selection’s approach was more focused on the feminist aspects of the concept rather than the series as action show that was fronted by a female. Jackie Zambrano, who created Gabriel's Fire and Under Suspicion, would have been a strong contender, but she was not pursued because she was not available. Robert Cochran was ultimately pursued but he was unavailable as well at the time due to his commitment to the first season of the television series JAG. He recommended Joel Surnow. Surnow was committed to the series Nowhere Man, so he recommended Cyrus Nowrasteh to write the pilot script. Although Surnow and Nowrasteh would breakdown the parameters of the series together.[3]
La Femme Nikita had a direct-to-series pickup. It was initially picked up for 13 episodes, with the back 9 being commissioned after the series' ratings success. After a licensing dispute caused an agreed upon plan to partially film the series in Europe fell apart, the decision was made to film the series in Toronto, Canada at Warner Bros. studios in nearby Mississauga that had previously housed the series, Kung Fu: The Legend Continues.
Canadian Content[]
In order to qualify for Canadian tax incentives, 70 percent of the above the line talent needed to be Canadian, including the actors, writers, directors. This was also required of the series' producer. In adherence of that requirement, showrunners Joel Surnow, Robert Cochran and later Lawrence Hertzog, all of which are American, received "Executive Consultant" titles.
Marketing[]
Herb Ritts Promotional Image
As the series lead, actress Peta Wilson shouldered most of the extensive promotional work for the series, participating in daytime and late night talk shows as well as filming on air segments with MTV and the WWF, USA Network's most popular program. Given the series' popularity with its online fanbase, most of the cast participated in online Q&As and print interviews
In the lead up to the release of season 2, acclaimed fashion photographer Herb Ritts was tapped to take promotional shots of series stars Peta Wilson and Roy Dupuis. The resulting black and white images were used in a marketing campaign that included billboards and full page advertisements in Hollywood trade magazines.
Wilson and Dupuis also filmed an on air promo for USA Network that was used to promote the show during commercial breaks.
Reception[]
The review aggregator website Metacritic, which uses a weighted average assigned season one a score of 68 out of 100 based on 7 critics, indicating "generally favorable reviews". [4] The St. Louis Post-Dispatch said, "Australian Peta Wilson is terrific in the new version, tough and bitter and innocent at the same time...Sexy, sharply written (and, yes, violent), it's an exciting addition to the USA lineup of original programming." In contrast, The San Jose Mercury News said, "It's fast-moving eye candy and that's about it."
Ratings[]
The series premiered on Monday, January 13, 1997 in the 10PM eastern/9 PM central time slot and posted a 2.2 ratings share. [5] In contrast,“The New Adventures of Robin Hood,” TNT’s first original drama, posted a 4.2 rating in the same time slot and on the same night. That series ran for two years on the network with diminishing ratings before shifting for two more in syndication.
For the first half of its season one run, "La Femme Nikita" aired on Monday nights at 10PM eastern/9 PM central after WWF Raw. It averaged 1,265,000 homes each week. [6]
After its move to Sunday nights in May 1997 for the last half of its first season, its numbers improved. It helped push USA's Sunday night prime-time ratings up 22 percent over the previous year. The series earned a 2.5 rating, representing 1.75 million households. "We were looking for that 10 p.m. show to make it a solid night for us, and we found it in Nikita," said Kay Koplovitz, chairman and founder of USA Network. [7]
There were an estimated 97 million television households in the US in 1997. A single national ratings point represents one percent of the total number, or 970,000 households for the 1996–97 season. Nielsen re-estimates the number of TV-equipped households each August for the upcoming television season.
In its third season, the series tied with USA's Pacific Blue as the highest-rated drama on basic cable, averaging 1.6 million viewers.[8]
Cancellation and Renewal[]
In July 1998, Rod Perth, who had been President of Entertainment at USA Networks since 1994, and led programming efforts for both USA Network and Sci-Fi Channel left the network after its purchase by Barry Diller. Diller appointed Stephen Chao to the post of president of programming and marketing for USA Networks, relegating Perth to the No. 2 programming slot. [9] The new administration was quick to introduce a slate of new original programming for the network alongside existing programming like La Femme Nikita. None of the new offerings were successful in the ratings and were subsequently cancelled, but not before they adversely impacted previously successful existing programming. Now with diminished ratings, La Femme Nikita was not in as favorable a position with network executives.
Several episodes into the production of the fourth season, Executive Consultant Joel Surnow expressed skepticism that the series would go beyond a fourth season.
- "It's highly unlikely the show will go past four years. It's a contractual thing. Warner Brothers had a four-year deal with the USA Network and they're not happy with the contract. In effect they've said they'll honor the four years and that will be it. They may try and shop Nikita around, but it will depend on what the numbers are this year and whether or not anyone wants it. Two years ago, we would have automatically had three buyers." [10]
Surnow also attributed the promotional indifference of the network as having a noticeable impact and therefore hampered the series from truly breaking out beyond its dedicated fanbase.
- "The reduction of press coverage had a lot to do with the change of regimes over at USA. Throughout the entire second season, there was either a regime on its way out or one on its way in. That was compounded by the phenomenal hyping of wrestling, which garnered a lot of their resources. You know what? You really can't promote our show on wrestling. It's not really the same audience. It's not a compatible piece of programming. Let's face it, this is not a mainstream show, but I expected a little more critical take-off of it, because it's a unique show and a smart show, and there aren't so many smart shows that it's not worth writing about one....We were one of the old shows. You can mark the day from when Diller and Chao took over to the change in attitude. Especially Stephen Chao, who I like personally but this isn't what he wants to do with the network. He wants GvsE. He wants to phase out the old shows and come up with material like GvsE, skewing younger and hipper. Nikita is hip, but it's not [filled] with pop culture references, which, to me, are boring." [11]
With the final eight episodes of the fourth season yet to be broadcast, USA Network cancelled La Femme Nikita on May 2000.[12] However, by August 2000 the Hollywood trades were reporting that attempts to resurrect the series from a premature ending were being undertaken.[13] The first days of September 2000 brought news that an eight episode fifth and final season was to begin filming at the end of the month. [14]
Home Media[]
DVD[]
- Main article: La Femme Nikita DVDs
Region 1 (North America) DVDs of La Femme Nikita were produced by Warner Bros. and released from 2003 to 2006. With the exception of one song on the season two DVDs, all off the licensed music used on the series remained for the DVD releases. A complete series box set was released on DVD on September 23, 2025.
Streaming[]
In the United States, all five seasons are available on the Roku Channel[15] and Tubi[16] for free as part of an agreement with Warner Bros. Television as of 2023.
High Definition[]
The series is not available on High Definition in any format.
Awards and nominations[]
Nikita as it was known in Canada, received a nomination for Best Dramatic Series at the 14th Gemini Awards in 1999. It lost to the CBC Television series Da Vinci's Inquest. It won the Chrysler's Canada Award at the Gemini Awards in 1998.
Peta Wilson, Matthew Ferguson, and Alberta Watson all received a Gemini Award nomination for their performances on the series. Director Jon Cassar, costume designer Laurie Drew, Production Designer Rocco Matteo, and the Sound and Sound Editing teams also received Gemini Awards nominations.
Overall, the series received 18 nominations and it won 5 Gemini Awards
| Year | Nominee | Category | Result |
|---|---|---|---|
| 12th 1998 (March) | Peta Wilson | Best Performance by an Actress in a Continuing Leading Dramatic Role - Brainwash | Nominated |
| Matthew Ferguson | Best Performance by an Actor in a Featured Supporting Role in a Dramatic Series - Noise | Nominated | |
| Maury Chaykin | Best Performance by an Actor in a Guest Role in a Dramatic Series - Innocent | Won | |
| Nancy Beatty | Best Performance by an Actress in a Guest Role in a Dramatic Series - Rescue | Won | |
| Jon Cassar | Best Direction in a Dramatic Series - Gambit | Nominated | |
| Rocco Matteo | Best Production Design or Art Direction in a Dramatic Program or Series - Noise | Nominated | |
| Laurie Drew | Best Costume Design - Noise | Nominated | |
| 13th 1998 (October) | Alberta Watson | Best Performance by an Actress in a Featured Supporting Role in a Dramatic Series - New Regime | Nominated |
| Nikos Evdemon | Best Photography in a Dramatic Program or Series - Spec Ops | Nominated | |
| Laurie Drew | Best Costume Design - New Regime | Won | |
| Nikita | Chrysler's Canada's Choice Award | Won | |
| 14th 1999 | Nikita (Jay Firestone, Jamie Paul Rock) |
Best Dramatic Series | Nominated |
| Peta Wilson | Best Performance by an Actress in a Continuing Leading Dramatic Role - Cat and Mouse | Nominated | |
| Laurie Drew | Best Costume Design - Off Profile | Nominated | |
| Daniel Latour, Scott Shepherd, Al Ormerod, Steve Baine | Best Overall Sound in a Dramatic Program or Series - Looking for Michael | Nominated | |
| 15th 2000 | Laurie Drew | Best Costume Design - Getting Out of Reverse | Nominated |
| Daniel Latour, Scott Shepherd, Al Ormerod, Steve Baine | Best Overall Sound in a Dramatic Program or Series - Sympathy for the Devil | Won | |
| Craig Henighan, Steve Baine, Jill Purdy, Rose Gregoris | Best Sound Editing in a Dramatic Program or Series - Sympathy for the Devil | Nominated |
Trivia[]
- Russian president Vladimir Putin confessed to being a fan of the show while at the Moscow International Film Festival in 2001. Peta Wilson was also in attendance and met with the President at an event for the festival.
External links[]
- http://lfnforever.tripod.com/
- http://www.cynbythesea.com/
- http://web.archive.org/web/20060604203454/http://www.tvtrecords.com/artists/?art_id=00092
- http://www.soundtrack.net/albums/database/?id=2774
- http://girlswithguns.org/
- http://lfn.clan.su/
- http://lfnikita.com/
References[]
- ↑ Template:Cite web
- ↑ USA books 'Brooks' on prep sked - Variety
- ↑ Heyn, Christopher (2006). Inside Section One: Creating and Producing TV's La Femme Nikita. New York, NY: POV Press.
- ↑ La Femme Nikita - Season 1 - Metacritc
- ↑ 'Robin' bobs to a 4.2 (January 14, 1997) - Variety
- ↑ USA's Summer Hotshots (June 22, 1997) - New York Daily News
- ↑ Nikita Becoming A Real Killer for USA Network (September 1, 1997) - Electronic Media
- ↑ Nikita Star Wilson is Cable's Hit Woman (July 30, 1999) - USA Today
- ↑ Perth exits berth - Variety
- ↑ La Femme Nikita -- Time To Say Goodbye - TV Zone (December 1999)
- ↑ La Femme Nikita -- Time To Say Goodbye - TV Zone (December 1999)
- ↑ Despite first-run success, USA pulls plug on 'Nikita' - Variety
- ↑ WB, USA rush to save 'La Femme' - Variety
- ↑ USA Reprieves Nikita, Thrills Fanatical Corps - Multichannel News
- ↑ The Roku Channel launches 14 Warner Bros. branded linear channels - Roku Blog
- ↑ Tubi signs Warner Bros. Discovery content deal - Tubi Press Release